Paths of Glory was originally written as a novel by Humphrey Cobb, a story which would turn into one of the greatest war movie classics made in the 50′s. Considered to be one among the most potent movies directed by Stanley Kubrick, this black and white close up at the politics of war has had audiences cringing for nearly half a century. Based on the French army’s efforts against the Germans during World War I, the movie takes a different turn then most war stories, examining the enemy from within, rather than those outside.
In an effort to please the politicians and civilians who grow tired of a lasting stalemate between French forces and invading German troops, The French General Staff devises a foolhardy idea. The normally reasonable general in charge of the forces the plan pertains to convinces himself that it is a plausible idea after the possibility of his promotion is mentioned. He relays this to the colonel overseeing the deadly World War I trench, and the colonel sees the sad truth surrounding the hopeless mission, without the ability to take action against it.
Many critics from the time and today esteem Paths of Glory among the most powerful stories of war told in film, driven by its extremely personal viewpoint on the characters and their internal struggles. As a director, Kubrick draws excellent performances from all of his actors, giving the audience insight into the subtle undertones beneath every character’s actual lines. This is the key element that gives the movie its humanitarian pull and makes it almost terrifyingly relatable.
The attack is inevitably a failure, as every character besides the delusional generals fueled by arrogance sees coming, and the remaining troops who refuse to leave the trenches for a lost battle are blamed. The entire regiment takes the fall for the loss, and three men are selected at random to punish the entire group of soldiers for their supposed cowardice. Colonel Dax, the man in charge of the regiment, tries to defend his soldiers at any cost against the unfair trial, but has little hope against the united forces against him.
The drama of this warning tale is effectively told through the medium of black and white film, giving the audience just as much emotional depth and drama as a film in full color. Though the art of using black and white is almost obsolete, some artistic directors and photographers still utilize its stark effect to convey the film noir style from the days before color and for its ability to create extreme contrasts. For example, in Paths of Glory, Kubrick utilizes the pitch black and dark gray in the trenches to contrast with the bright white within the overly elaborate and comfortable military headquarters.
What may stand out to today’s audiences that may not have captured so much attention at the time is the physical motion and gesticulation the characters perform throughout the film. To create diversity in the way scenes were shot without a large budget, a single camera would often track the pacing of a character during thought or speech about the set. This pacing punctuates the mental process the actor is portraying, and keeps the audience moving with them, although the camera is set from a single point.
The movie does its best to portray the harsh reality of war, and the ironic cost of loyalty. It was the first of its kind to portray a disapproving face of war and the way it is run, a trend that didn’t become popular in Hollywood until after the Vietnam war. This was the reason it was banned in many European countries for decades while war was still perceived as something that should be glorified and patriotic.
Paths of Glory was highly critically acclaimed, though its box office profits were minimal. The moral behind the story lingers on with relevance as questions of human sacrifice for the sake of political war is more heavily disdained as generations pass. The movie is often used today as a critical thinking and discussion tool for English classes and Film classes alike, sharing the universal challenge of fate and orders for a long time to come.
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